Finding you quality piano resources on the Internet for the performance artist or diploma student. Introducing you to upcoming talent, wisdom and masterclasses from the piano sages, Virtuosic piano transcription gems, and tips for technical success.
Actor Hugh Laurie OBE, Golden Globe award winner for his role in US tv show House started learning piano at age 6. (more about Hugh's musical background)
Following the success of his comedy duo with Stephen Fry, where he performs a memorable piano masterclass sketch. Laurie has been able to advocate comedy and piano to entertain on tv and the silver screen.
Here's a song he performs a comedic song "Mystery"
His own humourous ode to 'America'
Hugh Laurie and Geena Davis playing 'Heart and Soul' in Stuart Little
Chopin's Ballade #1 in G Minor (op.23) is a LRSM (Licentiate Royal Schools of Music), LTCL (Licentiate Trinity College of Music) level piece which is the same graded virtuoso level as Liszt's La Campanella, or equivalent to the final year recital for a Bmus degree in a specialist music convervatoire. I've found a collection of masterclasses from the Internet as well as academic resources as well as broad resources on how to approach and analyse this particular Ballade.
Before the masterclases, let's first listen to the Ballade by the great Krystian Zimmerman, winner of the 1975 Chopin Competition
Josh Wright from Utah giving suggestions for the Coda of the Chopin Ballade #1
Josh's tips - (Coda section) Presto con fuoco (fast with fire)
Don't just focus on the technique, focus on the artistry and the artistry will help the technique.
Voice the top hand melody and stay light
Feel the phrasing
Don't play too fast but focus on producing the artistic resolutions, colours, images you want to portray.
Keep sensitivity at the core of your practice.
Oleg Stepanov Masterclass, who studied under Lev Vlassenko at the Moscow Tchaikovsky Conservatory, won the Liszt International Competition in 1956 (Stepanov has dedicated a piano competition in his memory) gives a masterclass starting off with the Chopin Ballade #1 Masterclass with Oleg Stepanov
Chopin and the G Minor Balladeby David Björling, Luleå University of Technology Abstract The purpose of this work is to make a general presentation of Chopin, the age in which he lived, his G minor Ballade and selected editions of the Ballade. I will also compare five recordings of the G minor Ballade, and make a presentation and a recording of my own interpretation of the G minor Ballade. This work discusses his life up to the time the Ballade was published, Chopin’s development as a composer, and the period in his life when the Ballade was composed. Background material on the history of the Ballade as a genre and its development is included to give the reader an enhanced contextual understanding. The issue as to whether Chopin had a literary model when composing the G minor Ballade and his relationship with the Polish writer Adam Mickiewicz is discussed. This work considers the issue of form in the G minor Ballade, Chopin’s personality, how Chopin played, his use ofthe term ‘tempo rubato’, and how he used improvisation and composition.
Chopin Ballade #1 in G Minor Opus 23 Sheet music (IMSLP) -
2011 is the 50th Anniversary of the eccentric Australian composer and virtuoso pianist Percy Grainger's death (1882-1961). According to BBC Radio 3's Andrew Mcgregor, Grainger studied in Frankfurt with pupils of Brahms, Clara schumann, and Liszt. and he best known for his composition "English Country Gardens." If you're looking for a virtuosic and melodic piece for your concert repertoire or music collection consider his paraphrase on Waltz of the Flowers is from Tchaikovsky's Ballet - the Nutcracker.
Japanese pianist Aya Nagatomi performs Percy Grainger's Paraphrase on Tchakovsky's Waltz of the Flowers
I was reading a news bulletin in the August-September edition of Pianist magazine that
Danill Trifonov won two major prestigious international piano competitions back to back within weeks of each other! So I was very curious to hear his playing and learn more about this Wunderkind.
Born in 1991 Russian Daniill Trifonov, has won prizes and competitions most of his performing life and studied at the Moscow Gnesin School of Music (school for gifted musicians - much like the UK's Yehudi Menuhin school). There he studied under top teachers, one Tatiana Zelikman, who herself studied under Theodore Gutman, student of Heinrich Neuhaus. Neuhaus was the author of 'the art of piano playing' and also taught Radu Lupu and Richter.
Tchaikovsky Competition Jurist Martha Argerich was impressed with Danill's pianism:
“Last night I listened to him again on YouTube – he has everything and more. What he does with his hands is technically incredible. It’s also his touch – he has tenderness and also the demonic element. I never heard anything like that.”
-Martha Argerich; Financial Times, July 8, 2011
So what does the 2011 winner of the Artur Rubinstein Competition and the 2011 International Tchaikovsky Competition sound like? Let's first hear the demonic element!
2011 Tchaikovsky XIV competition Performance - Gala Prize winner's concert [excerpt] Trifinov performing One of the jury members this year was Vladimir Ashkenazy! (a previous winner himself)
Trifonov performed Liszt's La Campanella as an Encore at the Tchaikovsky Competition. Here's a performance from 2008.
Now for some tenderness, Danill performs Chopin's Piano Concerto #1 at the finals of the Artur Rubinstein Competition, Israel 2011
Johann Strauss II composed the eternal Blue Danube Waltz in 1866. Half a century later, Polish Composer Adolph Schulz-Ever (1852-1905), paraphrased the music which became his best loved work, in arabesque style. An arabesque is a composition in the "Arab" style, much like Schumann and Debussy's arabesque compositions. Schulz-Evler studied at the Polish Conservatoire under Carl Tausig and the paraphrase was published in 1900 and 1906. The sheet music can be found here on the IMSLP website.
Adolph Schulz-Evler
I must have first heard Schulz-Evler Arabesques on J. Strauss The Blue Danube Waltz (An der schönen blauen Donau) on the Great Pianists of the Twentieth Century CD collection performed by Earl Wilde.
Here, legendary pianist Earl Wilde performs the Schulz Evler paraphrase - or Arabesques on J. Strauss The Blue Danube Waltz (audio only).
Here's legendary pianist Marc Andre Hamelin (who can play just about any virtuosic composer!) performing the same Schulz Elver paraphrase - or Arabesques on J. Strauss The Blue Danube Waltz